@tedvid: I don't recall opening Photo Booth, which is probably why i jumped when I looked up at my screen from my phone to see me staring back at me.

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Charlie Chaplin

Friday, February 5th, 2010

I’m currently enrolled in a History of Motion Pictures class that I’m thoroughly enjoying, although I am beginning to reach my limit of old silent films. However, one man’s films have stuck out to me just as his have to most everyone who has seen the gold that Charles Chaplin produced back in his day.

As I’ve watched clip after clip of his comedy remaining relevant to this day, and after being frequently amazed by his ability to set up comedy, I’ve begun to really appreciate what Chaplin contributed to film development. I’ve also begun to appreciate the liberties he took within the creative process. He was producing movies in a time when people were still acclimating to shot sequences with multiple edits rather than just one shot takes, but managed to create complex humor based off of complex editing that controls what the audience is viewing and understanding. It’s incredible to me that his ingenuity and creative ability propelled him into his now American icon status (even though he is British). Charlie Chaplin new that moving pictures moved people.

Maybe not quite on the same scale as Chaplin (haha), but hopefully I can do the same at one point or another.

Here is a Desktop Wallpaper that I created, feel free to download it if you would like: click here to download (1680×1050)

Categories : Videography, movie, review, video
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91 centimeters

Monday, February 1st, 2010

Skhizein (Jérémy Clapin,2008) from Bertie on Vimeo.

The more I find myself browsing through the increasingly infinite web, the less I feel I can come up with something unique.

Or, I should say I thought this.

I was wrong. This beautifully done video turned that idea on it’s head and then some. Is the video entirely original? No. Is the animation the best there is? No. The world has already been created (everything from ideas and thoughts to trees and oceans) so creativity is rarely (if ever) in developing an entirely new concept, but rather in finding a way to contrive something new out of the old. Those who can make what already exists relevant are the people who are going to find success. The one who spends his/her time trying to be outside of the self will only find frustration and disappointment.

This whole post may not be a new concept, or something you have never heard, but you have never seen it presented this exact way. You have never been presented with this combination of video, words, and minimalistic blog design that I hope is an invitation to go create something. Seriously, go do it.

Don’t get stuck 91 centimeters away from creating something.

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Writing makes for better Improvisation

Sunday, January 10th, 2010

Writing makes for better Improvisation.

It’s plain. It’s simple. Writing makes for better ad-lib on set.

Often when aspiring filmmakers set out to create a short film or video they start shooting with limited knowledge: only having about a quarter of the audible script in mind and not even necessarily on paper. Sure, they’ve got it in their head what most of the video is going to look like, but they think that because of shows like “The Office” and especially the once popular “Who’s Line Is It Anyway?” that improv-style comedy/acting is an effective way to fill your story. What they forget is that 1) “Who’s Line Is It Anyway?” has a buzzer to stop the actors when they stop being funny and 2) “The Office” has an incredible set of writers that make improvisation better (the point of this post), and there is actually not as much ad-libbing as people assume.

So what makes this claim true, Ted?

Well let me see…. I’ve been creating video for six and a half years, and I’m the classic example of, “hey, let’s go make a video and see how it turns out” only to have the video turn out to be interesting/funny to… well, no one.

Alright, so then why does it make it better?

Think of it this way: when you go out for a jog (if you are into that kind of thing), do you just go running along any which way? No. Instead, you go on a predetermined course, and then if you are still feeling good you “go the extra mile.” If you just went wherever your feet lead you, you would end up 5 miles away from where you started and wondering how you are going to get your exhausted (and probably dehydrated) self back to your place of origin.

This same concept can be applied to video making. When you set out to shoot your footage, you set your predetermined parameters, and then if you are still feeling good after you have gotten all of your shots, then you can expand and play with the actor becoming the character that was once only on paper.

People often say, “the book was better than the movie” and while I wholly despise this statement, there is some truth to the idea that text appeals to people because it allows their imaginations to be free. When an actor (or typically in my case someone I have conned into being an actor) has some guidelines and some text to associate with his/her character it provokes their imagination and helps shape the image they have of their new on-camera persona.

When all else fails, write. (you can quote me on that)

- Ted

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