True Grit (2010)
Movie Barcodes are the result of taking all of the frames from a movie and smashing them into one image. I love them. It makes the color palette of the movies stand out and 9 times out of 10 gives you a pretty good feel for the mood of the movie even if you’ve never seen it. I’ve included three of my favorites below. If you want to check out more movie barcodes go HERE.
UP (2009)
Tron: Legacy (2010)
Back to the Future (1985)
- Ted
- Ted
via Anton Warkentin
From: Kenpudiosaki
I feel as if I need no words to sum this up. So I’ll just say this rendition of Ron Swanson is epic. I think if Parks and Rec were to go Archer – this would be it.
- Ted
This is the ultimate, “Cool video, terrible music” moment. I mean, maybe you enjoy this tune from Androp but I have to admit I’m not a fan… and I have a pretty eclectic taste in music.
Maybe it will grow on me though, as I’ll probably watch this video enough times for it to happen. The only question I have after watching this is if I’m allowed to take one of the two hundred and fifty 60d’s they used to make this happen!
Huge props to the creative director for this, I love the shots from the cameras themselves catching the band members being lit by the the light of the flashes from other cameras.
- Ted
Gotta enjoy this from Matt Raney.
If I were walking to class and found Mario hanging out on the wall in pixel form I would probably take it as a sign. A sign to turn around. Go back to my apartment. Listen to this Dubstep remix of the Super Mario theme. Bust out my Gameboy. And squash goombas all day long.
- Ted
This video is called Clock DJ and it’s by David Salaices. It lasts 46 seconds. But it’s a great 46 seconds.
I just want to bring this to light, even though I’m sure for many of you who follow any significant number of blogs you will have seen this, because in the 4 seconds between :34 and :38 David and his cinematographer Alex Santiago must have spent a fortune’s worth of time. I’ve played this section back enough times to make me wish I could “scratch” the video backwards rather than having to click the right spot on the timeline.
The amount of time framing each clock to where it is roughly the same size in the frame as all the other clocks is just one of the many things that astounds me from a frame like this (taken from :36).
Gotta love it.
- Ted
